There are a few refreshing intellectual, social, and theatrical ideas in Peter Hinton‘s new production of Harry Sommers’ 1967 Canadian history opera Louis Riel. The judgemental chorus seated high in a jury box of designer Michael Gianfrancesco’s perfectly measured creation, watching history happen with the cold detachment Riel’s dramatic and important story so often receives […]
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series…
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. Canadian Opera Company favourite (and newly minted Resident Artist) Jane Archibald is nominated for her second Outstanding Opera Performance award for her brilliantly sung and refreshingly strong, contemporary take on mistreated ingenue Ginevra in Handel’s Ariodante. We […]
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. Nominated this year for Outstanding Performance in a Musical for his role in The Shaw Festival’s Sweeney Todd, Marcus Nance has one of the most memorable voices in Canadian musical theatre- a rich bass that could charm just […]
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. Sondra Radvanovsky is one of the world’s most renowned sopranos. She received her second Outstanding Opera Performance MyTheatre Award nomination for her glorious bel canto performance in Norma with the Canadian Opera Company. She took the […]
The Canadian Opera Company has been slogging through Wagner’s interminable Ring Cycle over the past three seasons. And I’ve been slogging through my reviews of said marathons of melancholy Germans singing about dwarves. The summary was always the same: the set is bonkers but impressive, the singers and orchestra are technically sound, no one is […]
Yes yes yes and once again yes. In five years covering the Canadian Opera Company, I’ve never seen a rep season with this much storytelling depth and theatrical impact. I’ve never seen a perfect balance between homegrown talent, international stars, and homegrown international stars. I’ve never seen female characters with this much agency and this many […]
Somewhere at the intersection of a contemporary art piece and a classical narrative ballet lives the National Ballet of Canada’s new production, the world premiere of the first full-length work from homegrown company star Guillaume Côté. This is a big deal. A bigger deal than is being made, I think. The National is no stranger […]