The Musician Spotlight Series shines a light on up-and-coming musicians creating heartfelt and original work across genres, giving them an opportunity to talk about their music, their collaborators, and why they do what they do. Click Here to follow the series as it progresses. To submit an artist or band for consideration, email editors@myentertainmentworld.ca. … Toronto Symphony […]

 

The Canadian Opera Company’s production of Otello is passionate, bleak, dramatic, and nearly everything one could want from an opera. Based on Shakespeare’s tempestuous tragedy, it is far from a comedic opera one might imagine with giggling maids, young lovers, and sets dripping with brocade and jewels. The set is modern and stark, a creative […]

Several cast members made their mainstage Canadian Opera Company…

The Toronto Symphony Orchestra is world-class and their recent infusion of young new players really livens things up down at Roy Thomson Hall (always a fun venue to visit). I’m partial to new associate principal bassoon Darren Hicks and our recent spotlightee principal flute Kelly Zimba. And if you haven’t googled associate principal clarinet Eric […]

The Musician Spotlight Series shines a light on up-and-coming musicians creating heartfelt and original work across genres, giving them an opportunity to talk about their music, their collaborators, and why they do what they do. Click Here to follow the series as it progresses. To submit an artist or band for consideration, email editors@myentertainmentworld.ca. … American flutist […]

Opera is sustainable when you can enjoy it without fully understanding it or taking it seriously. Few works rely on this more than Così fan tutte, which continues to entertain really-rather-refined audiences who would blanch at its antediluvian gender politics in a modern work. The official title translates as “all [women] do it”, and it’s […]

The Canadian Opera Company’s latest production of Elektra opened up recently to warm us right up, piercing through the snow. The Four Seasons Centre for the Performing Arts was abuzz with folks of all ages. I wondered if this was a result of COC’s efforts to make opera exciting for younger audiences, or many of […]

The eclectic pairing of a visually ambitious but narratively light 20th century Russian mixed bill directed with theatrical ambition and a rich Italian bel canto full-length narrative with restrained character-focused direction makes for a beautifully balanced spring season for the Canadian Opera Company, a stretch of programming that offers something for everyone no matter why […]