Bill Coleman and Gordon Monahan’s collaboratively conceived and performed Dollhouse played out like a Rube Goldberg machine, albeit one that wrought destruction on both the man and the set within minutes of the shows start time. The elaborately complex set which lay bare the accoutrements of the highly technical show, as well as Monahan’s interaction […]
Secrets of a Black Boy (Playing with Crayons/Theatre Passe Muraille) A constantly evolving mix of storytelling and narrative theatre, playwright Darren Anthony’s moving and evocative Secrets of a Black Boy brings five very different black men together for one last game of dominoes before their community centre closes. The play begins with a theatrical montage […]
Written by Jordan Tannahill, directed by Eric Brubacher and Cara Spooner, Concord Floral is currently opening Canadian Stage’s 2016-2017 season. To top it all off, just a few days ago, the play earned Tannahill a nomination for a Governor General’s Award. The play centres around Concord Floral, an old abandoned greenhouse in Vaughn nesting within […]
I hate plays with fake accents. Unless your name is Oliver Dennis (or you work at the Shaw Festival), your British accent is not as good as you think it is and I’d really rather you just not use it. And a British accent (usually a posh one, sometimes cockney) is the accent most Canadian […]
Both of Canadian Stage’s current offerings are about people sleeping with people they shouldn’t be sleeping with. Both remarkably self-satisfied domestic dramas purport to be about “so much more” but that’s really about it. In the one-act contemporary opera Julie, well-to-do scorned woman Julie (Lucia Cervoni) sleeps with her callous, manipulative, engaged servant Jean (a […]
Canadian Stage just opened its 2015-2016 with Beckett Trilogy (Not I/Footfalls/Rockaby) at the Berkely Street Theatre. Directed by Walter Asmus (Beckett’s long-time friend and collaborator) and starring Lisa Dwan, this trilogy – performed back to back without intermission – is essentially an hour long one-woman show. But this is not a typical theatre piece, and […]
Umnikelo (Offering)
The opening night of Luyanda Sidiya’s double-bill performances of Umnikelo and Dominion was dedicated to putting an end to xenophobic violence…
Tom at the Farm (Buddies in Bad Times) This gorgeous and disturbing piece of personal theatre from Canadian playwright Michel Marc Bouchard is one of the first truly great productions I’ve seen this year. Making its English language debut through Linda Gaboriau’s poetic and honest translation, Tom at the Farm is staged with searing insight […]