Usually the premise for a comedy troupe is quaint, maybe a little quizzical. Dead Parents Society answers your first question right away and rejoices in how uncomfortable it makes you. Its members all lost a parent at a young age and combine to give a portrait of grief that’s darkly, uniquely comic and all the […]
Michel Marc Bouchard’s classic play Lilies (Les Feluettes) was made into one of the most beautiful Canadian films in the 90s, and more recently an opera (2016, Opéra de Montréal) that has been described as containing an “uncommon dramatic intensity.” This latest staged adaptation Lilies; Or, The Revival of a Romantic Drama, unfortunately, misses that […]
In the play OUT, first produced at the 2016 Toronto Fringe Festival, writer-performer Greg Campbell takes us on a personal walk in 1977 Montreal, channelling his autobiography through Glen as he slowly comes out, amidst the unfolding gay liberation movements across North America. It’s captivating to see a story rooted in a time when “gay” […]
Without a doubt, I am a huge fan of non-linear work. I feel it’s more reflective of how our brain’s complex neural pathways actually work. Red Light District and Buddies’ co-production of LULU V.7//Aspects of a Femme Fatale has had four years and seven versions to explore the intimate relationship one has with the subconscious, […]
Set in a dystopic future post-war landscape and based on T. S. Eliot’s Wasteland, Bloom is a story of an old war veteran, Gerontion (Peter Farbridge), a young boy who lives with him (Liz Peterson), and Maria (Kim Nelson), a woman who haunts his memories. The story centers around Gerontion in old age, dealing with […]
Originally written (and performed) by Dave Deveau, My Funny Valentine is a play based around the true story of a gay teen who was killed by his classmate in 2008. The narrative weaves through the surrounding community in the aftermath, and shows us the ways they are processing (or not processing) their grief, and the […]
Blood Weddings is currently on stage at Buddies in Bad Times. Federico García Lorca’s play is a classic, and has a rightful place in theatre history, but is a difficult play to stage in part because it is so stylized. It is the story of three families: a Mother (Beatriz Pizano) and her son the […]