Lately I have been a huge fan of Central Square Theatre. Last season’s Sila gave me goose bumps, and I can’t help but admire their unique yet incredibly efficient operating model. Combining a beautifully flexible space and strong leadership, Emilie: La Marquise Du Chatalet Defends Her Life Tonight (which I will henceforth simply refer to […]
In the program notes of Knock! The Daniil Kharms Project, directed by Matthew Woods, dramaturg Matthew McMahan describes how the writings of Daniil Kharms were rescued by a friend, writer Iakov Druskin, from the bombed building the playwright lodged in; Druskin placed the “scattered remains…in a briefcase, and kept them hidden for decades.” A few […]
I went to my first New Repertory show for a rather obscure song cycle musical, Closer Than Ever. I went into the show not really knowing what to expect from this little ditty. Described as a musical revue, Closer Than Ever unfolds in two acts of strictly musical treats, music by David Shire and lyrics […]
Tom Stoppard’s brilliant play was part of Theatre@First’s 10th anniversary. This was only the second play I’ve seen by Theatre@First, but so far I’m not impressed (I wasn’t formally reviewing the other production so it can live on in nameless infamy). Now, it’s not the company’s fault that I wasn’t impressed, they did nothing explicitly […]
Don’t screw around with Shakespeare…unless you can make it hella-entertaining. This was the thought that pulsed in my mind as I watched the Actors’ Shakespeare Project’s production of Comedy of Errors, directed by David R. Gammons. I was both excited and apprehensive about this show due to my own shifting views on one of Shakespeare’s […]
Productions are organized by Date of Opening. If you would like to see your upcoming show in our Coming Attractions for November, please submit the production information (including show dates, link to production information, company website, and link to online ticket site) by October 24, 2014. Sept. 4 – Oct. 5, 2014 EMILIE: LA MARQUISE DU CHÂTELET DEFENDS HER […]
The Lyric Stage Company does Sondheim well. Director Spiro Veloudos speaks Sondheim’s language as if it were his natural tongue, and he does a good job of translating to the stage with the help of his accomplished cast. Except the entire production felt afraid to push the boundaries or explore the nuances of Sondheim’s dense […]