The Lyric Stage Company of Boston’s newest production of Victoria Stewart’s Rich Girl is wonderfully simple in its messages and execution. While the play may depict and ask some of the age-old questions of love and money (wonderfully explained and dissected in dramaturg A. Nora Long’s accompanying features), the play is resounds with the same […]
Jack the Ripper is not a new tale; tracing back to the 19th century, Jack the Ripper has haunted and plagued the media and bedtime stories as an unsolved “murder of the century.” In fact, Jack the Ripper (can he ever be “Just Jack”?) was selected by the BBC History magazine as the worst Briton […]
Stupid F***ing Bird by Aaron Posner offered my first trip to the Apollinaire Theatre Company in Chelsea, Massachusetts. The play is billed as “sort of adapted from Chekhov’s The Seagull,” and, after seeing the play, I sort of agree. Chekhov’s The Seagull tells about the intersection between love and art, new and old forms, the […]
Last week, the Lowell House Opera presented the rarely-performed (and perhaps it should stay that way) opera Lakmé by Léo Delibes, directed by Roxanna Myhrym and music directed by Lidiya Yankovskaya. The Lowell House Opera bills itself as the longest continually performing opera company in New England. The opera is rough around the edges, despite […]
The Greater Boston area has seen its share of Rabbit Holes. The Umbrella (formerly the Emerson Umbrella) presented its own production of David Lindsay-Abaire’s Pulitzer Prize-winning play about what it means to grieve and how to cope with loss in our everyday lives. Becca (Allison McCann) and Howie (Randy Elkinson) are parents who lose their […]
Bridge Repertory Theater of Boston was a My Theatre favourite in 2013. With a strong introduction to the Boston scene with The Libertine, Bridge Rep has quickly made itself known as one of the more professional fringe theatres in Boston. Though I missed their Not Jenny, I had high expectations for this season. Their talent […]
Opera and subtlety don’t often go well together. Opera comes from the greatest possible highs and lows of the human experience, from the glorious pain of love, murder, and suicide. So, it is stunning to see a new production of Verdi’s Rigoletto full of subtle nuance in its direction and acting, bringing out its grandiose […]
The program notes for Fort Point Theatre Channel’s double bill (Reel-to-Reel) described Samuel Beckett’s great play Krapp’s Last Tape as a play that “focuses on a difficult life choice—between doing what feels like great art and pursuing a great personal love.” That is certainly one focus of the play. This one-act, one-man-show can be summarized […]