In 2015, Boston theatre pulled no punches. Historical legacies were questioned, minority voices cried louder, the talent of female theatre artists was not in question, and plenty of performers strutted their stuff in drag, across football fields, through time and space and gender, and over lines of chalk. Don’t miss our 2015 Nominee Interview Series, featuring […]
Fleet, comic, utterly cosmopolitan, Six Degrees of Separation is one of John Guare’s sharpest works. Loosely based on real-life events, the play revolves around the mysterious figure of Paul. This young man manages to impress and verbally seduce his way into the homes of some Upper East Side Manhattanites. Two couples and a Jewish doctor […]
Bad Habit Productions put on a versatile and dynamic Orlando, Sara Ruhl’s adaptation of the Virginia Woolf novel, in the BCA’s Deane Hall. Directed by Daniel Morris, the show’s performances were enhanced by a mobile set constructed in the round, by sumptuous costumes, and by warm and cool washes of color (orange, blue, and yellow) […]
Caryl Churchill is one of my favorite female playwrights to read. I find her work almost unmanageable onstage because of her feminist tilt and unforgiveable agenda. With that lens, I attended Bad Habit Production’s Top Girls, Churchill’s most iconic and arguably best work, featuring a strong ensemble of Boston’s top female actresses. While the play’s […]
Brian Friel’s Translations is a tough code to crack. The 1980 three-act play by the Irish playwright is a piece about language, and while it has many other themes and ideas, it’s ultimately about how we communicate. However, Friel communicates in such heavy-handed tones that you can’t help feeling like you’re a child listening to […]
Bad Habit Productions has proven to produce some of My Theatre staff’s favorites (Arcadia and Much Ado . . . With a Twist just to name a few). They are known for their willingness to take chances and succeed. Rooms: A Rock Romance fell a little flat for me, and I am still struggling to […]