Ellie Moon’s This Was the World, now playing at The Tarragon Theatre, Extra Space, endeavours to take on the notions of white privilege and white fragility, and does so unapologetically. It is a study of Professor John Taylor (R. H. Thompson). John is not your overtly racist uncle (or aunt/brother/cousin) that makes family dinners awkward. […]
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Seeing a compilation show from the ‘Compagnie Marie Chouinard’ was just as deliciously weird as I hoped it would be. Heralded as one of Canada’s greatest dancers and choreographers, hers has been a household name since I donned my first ballet slippers. Growing up, the name Marie Chouinard always held cachet, reverence, and was almost […]
A few days before going to see Shakespeare BASH’d’s production of Cymbeline, an article title flashed before my eyes as I scrolled through my Facebook feed, “Can Shakespeare still surprise?” Coincidentally, the post had come from Shakespeare BASH’d’s Facebook page, and as I was just about to watch the show, I chose to bypass the […]
What do you get when you combine sharply written dialogue, deft direction and an all-star ensemble? Coal Mine Theatre’s production of Marjorie Prime. In 90 minutes, I was taken on a journey that challenged the way I perceived the world around me, my relationships and my ideals. For me, it was Nick Blais’ lighting design […]
Onstage at the inspiring Citadel + Compagnie, Kate Hilliard’s production of this happened… is personal, thoughtful, and dreamlike. The opening scene is striking and powerful, and the audience is pulled in and intrigued as the gestural movements begin to translate more and more into words, a conversation. Hilliard has gathered a group of wonderful artists […]
I have barely more than 24 hours before this prediction loses its relevance but I think Parasite’s going to win the Best Picture Oscar for 2020. It’s got all the buzz right now, and the off-the-beaten track cred but not so far off-the-beaten-track that the Oscar voters who nominated Ford vs. Ferrari won’t give it […]
Before we announce the winners of the 2019 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Catherine Rainville is a multi-hyphenate artist whose work performing, directing, producing and designing for site-specific indie favourites Shakespeare Bash’d has never failed to thrill and surprise us. She’s nominated this year for Outstanding Supporting Performance in a […]
Welcome to the 2019 Nominee Interview Series. Every year between nomination announcements…