It’s hard to know where to start in discussing vox:lumen, which opened at the Harbourfront Center’s World Stage last week. Do we being by talking about the show itself: a dance in the dark that made light a player on stage with dancers lighting each other and themselves from a variety of sources, including flashlights. […]
A Catholic Church cardinal comes on to the messy stage at the Harbourfront Studio Theatre. He shuffles around in the near darkness, comes to the front, and suddenly, looks out to the audience, as if noticing them for the first time. Or is it us he notices? For his gaze drifts upwards, and looking, towards […]
Sheila: So it used to be that—so what happens in the play is there are these two families, the Oddis and the Sings. And they both have a twelve-year old kid. The Oddis have a twelve-year-old girl named Jenny, and the Sings have a twelve-year-old boy named Daniel. And they’re both in Paris. And they’re […]
CanStage’s The Other Place is difficult to write about without giving too much away. For the play is reveal after reveal, as we move back and forward in time, uncovering family secrets, buried memories, and emotional turmoil. And yet, as we move down the winding road of this dense, emotional bit of realism, I was […]
If you missed it at the Toronto Fringe, you can breathe easy. Toronto, I Love You, an unconventional, improvised love letter to the city of Toronto from the Bad Dog Repertory Players (BDRP), is back for a two-week stint at Bad Dog’s west end theatre. This unique, surprisingly intimate show fits perfectly in the wood-paneled […]
Big Shot “I wish life were more like an action movie.” This is the plea of our young narrator at the beginning of Big Shot with Surreal SoReal Theatre out of Montreal. This solo show, written and performed by Jon Lachlan Stewart, weaves the story of four strangers who meet on a subway car, in […]
Artichoke Hearts’ We Walk Among You, the puppet show at the tarragon extraspace, is one of the most emotive, and beautifully executed theatre pieces I’ve ever seen. From the world they create, the creatures they bring to live, and the complex story they tell,We Walk Among You is a beautiful, funny and sad story not to […]
In 1926, Bertolt Brecht, the innovative German theatre director (and playwright, and theorist), spoke about the future of theatre, saying simply, “we pin our hopes to the sporting public.” Imaging traditional theatre as a sinking ship, he dreamed of a world where people get as excited about theatre as they do about, say, a basketball […]