Thea Fitz-James

After a stellar workshop presentation at the 2017 Fringe, BRAIN STORM returns to Toronto with its world premiere at the intimate Dancemakers Studio Theatre.  An innovative performance, BRAIN STORM is a ghostly mix of dance, projection, and text that leads us through a young woman’s day-to-day, post-brain injury. The layers of performance—from non-verbal expressions, to versatile […]

  Thea Fitz-James

Theatre Centre’s Progress Festival is one of my favourite annual festivals in Toronto. The programming is always sharp and smart, bringing cutting edge international performances to the Queen West theatre. I was only able to see a few shows in this year’s festival; this represents only a sliver of the festival’s programming. CAFÉ SARAJEVO Café […]

  Thea Fitz-James

We, the audience, are waiting for the play to start. Kitch (Mazin Elsadig), on stage, is waiting for his friend Moses (Kaleb Alexander) to wake up. Moses is waiting for a lot of things. For the promised land, for the seas to part, for him to live up to his name sake. He’s waiting to […]

  Thea Fitz-James

Be sure to check out our full list of Next Stage reviews. Dinner with The Duchess Meet Margaret (Allegra Fulton), a celebrated female violinist, who is retiring after decades of an illustrious career. She is being interviewed in her home by young prodigy journalist, Helen (Rosie Simon), who is intent on asking hard, smart questions. […]

  Thea Fitz-James

Be sure to check out our Full List of Fringe Reviews Thousand Beginnings (A) A beautiful mix of movement, dance, and existential curiosities, Thousand Beginnings offers a simple and subtle exploration of the self and the female body. The two performers dance, play, question each other as they wonder about the contemporary moment with their bodies, their […]

  Thea Fitz-James

Caryl Churchill’s Love and Information, which premiered with Canadian Stage on Thursday, April 12th, is a fascination meditation on Love, Information, and the many places these two concepts meet. Under the direction of Tanja Jacobs and Allistar Newton, any production of this play is no small feat. A production has anywhere between 51 and 76 scenes and […]

  Thea Fitz-James

Declarations, a new show by celebrated Toronto Playwright Jordan Tannahill, is yet another testament to the author’s ability to present innovative, new theatre. A fascinating meeting of text and movement—of the ephemeral and what remains—Declarations is a thoughtful, evocative exploration of form, body, text and grief. “This is the thing; This is not the thing.” So begins Declarations, as […]

  Thea Fitz-James

Good Morning, Viet Mom “I can’t talk about my mom without talking about my dad. I can’t talk about my dad without talking about the divorce. I can’t talk about the divorce without talking about family. And I can’t talk about family without talking about my grandma.” And just so, playwright and comedian Franco Nguyen […]