Staged at the Bridewell Theatre, Geoids’ latest outing is one of the most technically ambitious productions within London’s amateur scene. A huge cast, set and orchestra are used to recount the problem of an eroding Hollywood. For those unaware of the film (which you should all see, incidentally), Joe (Michael Stacey), a failing screenwriter, is […]
Its language and rhythms belong more to the French New Wave than a stage, yet La Musica has some inspired instances. Within it, we get to know a couple about to complete their divorce proceedings, the man being played by Sam Troughton and the woman by Emily Barclay. We learn of seduction, attempted murder and […]
With the Les Miserables 30th Anniversary Concert almost here on the 8th October, I have had the great privilege to talk with Jeremy Secomb, the man playing the role of Javert, about himself, his character and the musical as a whole. Before taking the part up in July of this year after a major cast […]
It would be easy to dismiss this show—it is really all shades of bad—yet I am going to try to be critical and constructive with terseness. The play is three people in an apocalypse scenario seeking refuge from killer birds. This kind of story demands extremities of feeling, the kind which requires experienced actors if […]
Quite unusually, I was handed an audiobook before sitting down to watch this show—I believe it was an audiobook of the show, or it may have been one of Sons and Lovers or The Rainbow which Phoenix Rising’s Paul Slack has found success in narrating. Regardless, it gives gives clues as to quality of the […]
I have always hated monographs that moonlight as plays or novels or paintings, though I have to make an exception for Future Conditional. It is so unabashed in its stance on education and class that it commands a degree of respect. As a play for many generations, it probably will not be that, but it […]
It takes twenty minutes for it to truly begin, but Different Class is a sweet example of dramatic subtext. Maria (played by Lucy Penrose) is cleaning her flat the morning after a house party when her friend Andy (Robert Ansell) comes over for a chat. It seems a banal scenario and it certainly is for […]
It is best to see Lela & Co without knowledge of it beforehand—if you want to see worthwhile theatre then stop reading this and go see it, essentially. The reason you want to know less about it is that Cordelia Lynn’s script creates expectations from the outset and relentlessly reshapes them. Lela is a pitiful […]