Secret Life of a Mother at the Theatre Centre is a stunning exploration of the raw, invisible, and gritty realities of two women’s experiences of parenthood. Created by Hannah Moscovitch, Maev Beaty, Ann-Marie Kerr, and Marinda de Beer, the narrative centres on Moscovitch’s early experiences with motherhood, performed as a solo show by Beaty. The […]
Thalia Kane’s new play offers up a dark version of four young women’s coming of age in a rural Canadian high school. While the script needs some development, the play makes a significant contribution to current political conversations around consent and assault. Entering the space, the set is immediately impressive. Strings hanging from the ceiling […]
Love is a daunting theme on which to base any kind of project, not least because it’s been written about for thousands of years, and any attempt to say something new is nearly impossible. 40 Days and 40 Nights (co-produced by Necessary Angel Theatre Company, Electric Company Theatre, and the Theatre Centre) ambitiously tries to […]
On April 16th, 350 artists, arts administrators, arts critics, and arts everything else gathered at The Great Hall in Toronto to celebrate another year of creativity, ambition, talent, and hard work as we looked back on the productions that defined 2017 in Toronto Theatre. With help from sponsors like Dufflet Pastries and our generous patrons […]
The smaller space at the Crow’s Nest Theatre is a great venue for The Howland Company’s production of Punk Rock, a show that inspires both admiration on a production level and some low-burn consternation. The play starts out as an ordinary story about several teenagers in a small British town: in the first scene we […]
Set in a dystopic future post-war landscape and based on T. S. Eliot’s Wasteland, Bloom is a story of an old war veteran, Gerontion (Peter Farbridge), a young boy who lives with him (Liz Peterson), and Maria (Kim Nelson), a woman who haunts his memories. The story centers around Gerontion in old age, dealing with […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Anusree Roy’s Little Pretty and the Exceptional was a part of Factory’s 2017 season, tackling the daunting but relevant themes regarding the stigma and the realities of mental illness within an immigrant family in downtown Toronto. […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Kay Brattan has worked as a stage manager, writer, and, since Lysistrata, a director. St. Stella is an established member the Toronto burlesque scene. Together they combined their talents and inspiration to bring us an adaptation of […]