Written and performed by Sarah Thorpe, Heretic is a modern retelling of the story of Joan of Arc. Currently at the Theatre Passe-Muraille Backspace, this Soup Can Theatre production is a remount of an earlier version that Thorpe helped to produce last spring. In the programme, Thorpe tells us that the show was inspired by […]
Written by Caryl Churchill in the 1970s, Objections to Sex and Violence was Chruchill’s first production on a mainstage. Currently downtown at the Artscape Sandbox, it is a surprisingly relevant play, set against the political background of the 1970’s: the sexual revolution, and the global protest movement. But Churchill’s play invokes the political in a […]
Frankenstein Live opened last weekend at the Walmer Centre Theatre in the Annex. The script was written by Warren MacDonald, and is a stage adaptation of Mary Shelley’s Frankenstein. There is no dialogue in the book, and so MacDonald notes in a recent interview that his biggest challenge was to imagine the dialogue realistically while […]
Canadian Stage just opened its 2015-2016 with Beckett Trilogy (Not I/Footfalls/Rockaby) at the Berkely Street Theatre. Directed by Walter Asmus (Beckett’s long-time friend and collaborator) and starring Lisa Dwan, this trilogy – performed back to back without intermission – is essentially an hour long one-woman show. But this is not a typical theatre piece, and […]
An Enemy of the People was originally an Ibsen play that has been translated by Maria Milisavljevic and adapted by Florian Borchmeyer then staged by Tarragon artistic director Richard Rose with a distinctly Canadian political slant and is now being remounted with mostly new actors. The plot is so incredibly relevant to our current politics that […]
Finding Funny is a one-person show directed by Andrew Ferguson, and written and performed by Daniel Stofi, about a comedian backstage during a stand-up show. He’s about to go on, feeling frustrated with his current routine, and unsure of how to proceed. He tries to dig deep within his memory to figure out what inspired […]
Like A Generation is Coyote Collective’s re-mount of an earlier production from 2013 with an updated multi-media set and lighting design. Written by Max Tepper, and directed by Blue Bigwood-Mallen, the show is a show “about television (or I suppose streaming since no one actually watches TVanymore,” Bigwood-Mallen writes in the show programme. And indeed […]
The Unit 102 Theatre at Queen and Dufferin is an interesting space. It is a black box theatre, with the audience on two sides meeting at the downstage right corner, which also functions as an entrance and exit for the actors. It’s small so it can make for a very intimate theatre experience. The main […]