Luminato 2018 promised to interrogate the issues of human-rights, justice and inclusion, and Swan Lake/Loch na hEala does not disappoint with its dark themes of loss—of innocence, of purpose, and of hope—rape, suicide, police brutality and populist politics all feature. Written, directed and choreographed by Michael Keagan-Dolan, performed by Teac Damsa dance theatre and accompanied […]

On April 16th, 350 artists, arts administrators, arts critics, and arts everything else gathered at The Great Hall in Toronto to celebrate another year of creativity, ambition, talent, and hard work as we looked back on the productions that defined 2017 in Toronto Theatre. With help from sponsors like Dufflet Pastries and our generous patrons […]

 

Last Thursday I had the privilege of attending Finding Wolastoq Voice, a collaboration between playwright and composer Natalie Sappier -Samaqani Cocahq of Tobique First Nation and dancer/choreographer Aria Evans (Mi’kmaq/Black/British). Finding Wolastoq Voice is a Theatre New Brunswick Production presented by Native Earth Performing Arts as part of the Niimi’iwe: Indigenous Dance Showcase. The naturalistic […]

Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Adjusted Surrender was the penultimate performance in ProArteDanza’s 2017 season, a masterful offering from choreographer Kevin O’Day, who trained at the Joffrey School of Ballet and has subsequently produced over 60 ballets, many for highly acclaimed […]

Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Adjusted Surrender was a part of the ProArteDanza’s 2017 season, a masterful offering from seasoned dancers Johanna Bergfelt and Robert Glumbek. Johanna has been a veteran of the Toronto dance scene since 2000 when she arrived […]

Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual…

The lush golden light of the Peter Pan set was a welcome contrast to the sharp cold evening we had rushed through en-route to the theatre, and the space itself served as a refuge from the busy Christmas Market (which Soulpepper ticket holders receive free admission to) surrounding the Young Centre for the Performing Arts […]

Red Sky Performance’s Backbone, playing at Canadian Stage from Nov 2 to 12, is the first production of a two year residency at Canadian Stage—to be followed up in 2018 by Trace. This multi-year residency is the first of its kind given to a dance company by Canadian Stage, and it seems most appropriate that […]