Choreographer Crystal Pite’s work is always deeply thrilling—her ability to bring an audience into a transformed alternate reality is her trademark. In Revisor, her second collaboration with writer Jonathon Young, we are witness to a darkly surreal world that is presented to us both as farce and warning. Revisor is a militaristic period fantasy, heavy […]
Set in 1986 at an elite Ghanaian girls boarding school, Jocelyn Bioh’s School Girls; or, the African Mean Girls Play is steeped in Queen Bee pettiness and teenage politics. An Obsidian Theatre production in association with Nightwood Theatre, Director Nina Lee Aquino masterfully delves into the complexities of teenage female relationships, brought to life by […]
Before we announce the winners of the 2018 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Dancer/Choreographer Aria Evans’ versatility as a multi-modal collaborator is on full display in Finding Wolastoq Voice. Having built her career amplifying underrepresented voices and telling marginalized stories, this evocative work, created in collaboration with Playwright/Composer Samaqani […]
A periodic cry, almost a scream, penetrated the performance space as the audience arrived and settled into their seats. It was unsettling, but mostly ignored. Choreographer Daina Ashbee’s Pour– presented by TO Live in association with Native Earth Performing Arts and The Theatre Centre- seemed to begin when a figure (dancer/interpreter Paige Culley) began pacing across the front of the stage, still […]
Toronto-based choreographer and dancer Esie Mensah’s Shades premiered at the Factory Theatre with a short run, September 27 to 20, 2018. Shades is an exploration of the discrimination between lighter-skinned and darker-skinned members of communities of colour, known as shadeism. This work addresses how the privileging of skin tones leads to fractures in communities of […]
A decade of research went into the making of the well crafted I Call Myself Princess, written by Jani Lauzon, and a joint Paper Canoe Projects and Cahoots Theatre Production, in association with Native Earth Performing Arts. I Call Myself Princess weaves two stories together, one of Tsianina Redfeather (Marion Newman), a Creek/Cherokee singer and […]
Dry Land is a coming of age tale that digs uncomfortably into both the tenderness and cruelty of North American teenage girlhood. Swim teammates Amy (Veronica Hortiguela) and Ester (Mattie Driscoll) forge a bond over the secret of Amy’s unwanted pregnancy. The strongest aspect of this work is the deep bond of friendship Amy and […]
Sitting in the audience of a dance performance, feeling fully enveloped by the movement, is one of the most delicious experiences I can think of. The Cuban based Malpaso Dance Company brought to Luminato 2018 three mesmerizing performances that, along with the superb accompaniment of Arturo O’Farrill and the Afro Latin Jazz Ensemble, suspended time […]